Favorite Movie #14: The Sting (1973)
Speaking of old-timey classics, The Sting continues to hold up exceptionally well. This is all the more surprising when you realize that as much time has passed since The Sting was filmed, as the time it’s set in — the Great Depression.
Spinning a yarn of the two smoothest con men to every grace the screen, The Sting singlehandedly relaunched interest in ragtime composer Scott Joplin, and went on to win 7 Oscars, including Best Picture. The Academy Awards are, even in the best of times, either a self-satisfied mutual admiration society or a cynical marketing ploy (or both), but every so often they get it right.
The Sting is a near-perfect movie: an homage to caper films and the golden age of Hollywood, it is slick and entertaining in its own right. And while Paul Newman and Robert Redford are busily conning gangster Robert Shaw, the movie is delightfully misdirecting filmgoers with what’s happening on the screen. When the inevitable double-cross comes at the end, the audience is happy to be played.
This is the 2nd movie on this list by George Roy Hill, one of only three directors to score twice in the 50/50 countdown. His other — Slap Shot — is arguably the best sports comedy of all time. Both Redford and Newman did some of their best work under Hill, but Paul Newman in particular became a master of sly comedy under the director: